An operator at the lighting console as cyan beams sweep across a packed crowd.

Use cases — Orange County, CA

Where a designedshow fits.

Eight rooms we get asked about most, from a 120-cap bar to a park stage at dark. Each one starts the same way: a show designer builds the looks, an operator drives them from the desk, and the whole thing is priced for a single night. Find the one that looks like yours.

Bars · Ballrooms · Warehouses · Park stages08 use cases — Projected Reality

01 — Who’s driving

Played by hand.Or locked tothe track.

Every look on this page is built by a show designer. The only thing that changes from room to room is who’s driving on the night.

01 — By hand

An operator reads the room

The looks are played in real time from the desk: the build, the drop, the encore nobody planned. Nothing to rehearse for weeks and nothing that breaks when the set list changes. This is most of what we do, and it’s priced for one night.

FitsDJ sets · Bands · Bars · Pop-ups · Parties · Launches

02 — Locked

Every cue on the same frame

The show is programmed to the song and rehearsed on a virtual rig before load-in, so run six matches run one and a broadcast can be cut around it. Worth the extra lead time when a repeat matters more than reading the room.

FitsLivestreams · Tours with playback · Reveals cut to a film

02 — Eight use cases

Eight rooms.One way of working.

Find the room that looks like yours. Each one starts with one operator and a compact rig, and grows with the space.

  1. Two DJs on a stage under crossing green laser fans, with hands up in the crowd below.
    250-cap room
    01 — Club night

    DJ sets and club nights

    You’ve booked a DJ for a 250-cap room. The house rig is four pars on a sound-to-light box, and you want the night to feel like a show, not a bar with music on.

    What we bring
    Moving headsLasersHazeOperator
    On the night
    The operator reads the set as it happens: the build, the drop, the breather after it, and a different look for the guest DJ at one a.m. The room gets a show that follows the music instead of flashing at it.
    Starts small
    One operator and a compact rig on the DJ riser. Scope grows with the room and the guest list.
  2. AI concept of a small stage with a drum kit under cyan and green moving lights and a red backdrop.
    120-cap bar
    02 — Bar stage

    Local bands and small venues

    Your band plays a 120-cap bar with a stage the size of a rug. The lights are whatever the bartender switches on, and the record comes out next month.

    What we bring
    Moving headsWashHazeOperator
    On the night
    Song by song. The operator learns the set at soundcheck and follows the band from there: a slow verse gets a slow look, the single gets the big one, and an encore nobody planned still gets lit.
    Starts small
    One operator and four to six fixtures that fit a bar stage. Scope grows with the tour.
  3. AI concept of a pop-up art installation: visitors silhouetted in a raw gallery space with thin blue laser lines and projected shapes across white walls.
    Warehouse, one weekend
    03 — Weekend install

    Pop-up art installations and galleries

    You have a warehouse for a weekend, a wall that deserves more than a projector on a milk crate, and an opening on Friday night.

    What we bring
    ProjectionMapped surfacesLasersOperator
    On the night
    Opening night has an operator shifting the visuals as the room fills. For the rest of the weekend the piece loops on its own, dialed in on Friday so nobody has to babysit a projector on Sunday.
    Starts small
    One projector, one mapped surface and a one-night setup. Scope grows with the number of walls.
  4. AI concept of crisp geometric light patterns projection-mapped onto a building facade at night.
    Launch, one night
    04 — One-night reveal

    Product launches and brand activations

    The product lands on a plinth at 8 p.m. The client wants the logo to move, the wall to change and the reveal to feel bigger than the room.

    What we bring
    ProjectionAnimated logoFixturesOperator
    On the night
    Arrival looks warm the room while guests find their drinks. The reveal itself is a single cue fired on the MC’s word, or synced to the film if there is one, so the logo moves and the wall changes the second the cover comes off.
    Starts small
    One mapped surface, an animated logo built in days and one operator. Scope grows with the surfaces.
  5. AI concept of flowing cyan and red visuals on a large wall beside a white sculptural stage set.
    Ballroom, 200 guests
    05 — Run of show

    Corporate events, galas and award nights

    Two hundred guests, a ballroom with a low ceiling, a walk-up for every winner and a band after dinner. The venue’s uplighting has three colors.

    What we bring
    FixturesProjectionOperator
    On the night
    Warm and still through dinner, a clean lift for every walk-up, a hit for the stinger film if the awards have one, then the room turns into a dance floor for the band. All of it from one desk at the back.
    Starts small
    One operator, a compact rig that fits a ballroom and a load-in that doesn’t stall the caterers. Scope grows with the run of show.
  6. AI concept of a single white beam cutting through haze in a black room.
    Reception, last three hours
    06 — Reception

    Weddings and private parties

    The speeches are done, the DJ is on and the room still looks like the dinner. You want the last three hours to feel like a different night.

    What we bring
    Wash fixturesHazeOperator
    On the night
    Quietly. A soft wash for the first dance, one beam through haze for the moment that matters, then the operator follows the DJ until the last song. Nobody notices the lighting; everybody notices the room.
    Starts small
    One operator and a handful of fixtures that don’t fight the florals. Scope grows with the venue.
  7. A person standing in a dark studio, lit by a single blue beam through haze.
    Studio, three cameras
    07 — On camera

    Livestreams, music videos and content shoots

    Three cameras, a session that starts at 10 a.m. and a director who wants take six to look exactly like take two.

    What we bring
    FixturesLasersTimecodeOperator
    On the night
    This is the room where programming earns its place. Cues are locked to the track so take six matches take two and every stream looks the same, while the operator stays at the desk for whatever the director changes on the day.
    Starts small
    One operator, a compact rig lit for camera and one timecoded track. Scope grows with the shot list.
  8. A wall of white beams over a red LED stage and a packed festival crowd.
    Park stage, headliner at dark
    08 — Outdoor stage

    Festivals and outdoor events

    A stage in a park, a changeover at six, a headliner at dark and a production manager who needs an answer this week.

    What we bring
    FixturesLasersOperator
    On the night
    Every act on the bill gets an operator who can follow a set list that changes at the side of stage. If the headliner tours with playback and a rehearsed show, we run it cue for cue, exactly as they built it.
    Starts small
    One operator and a rig scaled to the stage. Scope grows with the bill and the hours of darkness.

    Outdoor lasers need a separate feasibility review before they go in the plan. Send the site and the concept first.

03 — How to book

Three stepsto show night.

Days, not weeks. Most live shows in small rooms are scoped from one email and a photo of the space.

  1. 01 — Tell us

    Tell us the room and the music

    Date, venue, headcount, what’s playing and what you want the room to do. A photo of the space and a link to the music are enough to start.

  2. 02 — We propose

    We propose the rig and the looks

    A fixture list that fits the room, the looks the operator will play, what the venue provides and what we bring. One scope, one quote, one night.

  3. 03 — Show night

    Show night

    Load-in, focus, soundcheck. Then the operator drives the room until the last song, and the rig is out before the venue wants its floor back.

Get a quote

Tell us aboutthe room.

Send the date, the venue, the music and a working budget if you have one. We’ll come back with the rig, the looks and a number.

One operator. A compact rig. A designed show.

The more we know up front, the faster the scope lands. Useful to include:

DateVenueHeadcountThe musicReferencesWorking budget