AI concept of a single-point laser fan cutting through haze above a crowd in a dark venue

Live lighting · Laser shows · Projection — Orange County, CA

Lighting, lasers and projection, engineered for the moment.

Projected Reality is a live visual production studio in Orange County. We design lighting, FDA-variance lasers and projection around your room and your music, then run the show live for bands, DJs, venues and events. No lengthy pre-production, priced for small rooms, and timecoded when a show has to land identically every night.

FDA Variance on file Run live to the music, or timecoded Pangolin BEYONDChamSys MagicQResolume Laguna Niguel → all of Southern California

Proud to partner with industry leaders

Live
run to the music in the room, no pre-programming needed
FDA
variance-certified laser operation, engineered before the first frame
13+
years in live production and entertainment
Red laser lines and white beams over a kaleidoscopic LED stage

02 — Scroll to run the show

The programmed version, to the frame.

Scroll and the show builds: cues fire in order, the timecode counts, the room fills. Most nights we run it live instead, an operator playing the same designed looks to the music in the room. Timecode is the upgrade for tours, streams and launches that must land identically every night.

TCCueAction
00:00:00:00001House out — full blackout
00:00:04:12002Beam wall — 8 spots snap up
00:00:09:03003Strobe accent ×3 — downbeat
00:00:16:20004Color shift — cyan → deep red
00:00:24:08005Movers sweep — crowd wash
00:00:31:16006Drop — all fixtures full

03 — Laser shows

Geometry you can stand inside.

A show designer runs the lasers live to the music in the room, from designed looks built in Pangolin BEYOND, no lengthy pre-production needed. Laser is a regulated medium and we treat it that way: beam zones, audience exclusion, divergence and power levels are engineered before the first beam.

  • FDA Variance-certified operation
  • Run live to the music in the room
  • Pangolin BEYOND Ultimate · ILDA frames
  • Timecode when it must repeat
AI concept of green and cyan laser fans over a theatre stage with red set pieces

03 — Show control

Live busk or timecode.

The default: an operator at the desk busking designed looks to the music, reacting to the room in real time. No timecode, no weeks of planning. The upgrade: timecoded cue stacks for tours, livestreams and launches that must play back identically every night.

  • Live busking, no lengthy pre-production
  • ChamSys MagicQ · DMX / Art-Net
  • SMPTE / MTC timecode on request
  • Livestream-ready sync
Lighting console faders and cue screen with beams crossing behind

03 — Projection & visuals

Content for every surface in the room.

Projection-mapped architecture, the screen behind the artist, live visuals mixed to the music, generative textures and audio-reactive motion, all planned with the surfaces and playback so the idea works in the actual space.

  • Resolume Arena · Unreal Engine
  • Live visuals mixed to the music
  • Mapped environments
  • Loops, overlays, generative textures
AI concept of crisp geometric light patterns projection-mapped onto a building facade at night

Light hits harder when every look has a purpose. We play the room like an instrument: blackout, hit, chase, sweep, drop, live to the music in the room, and on timecode only when it has to repeat.

04 — How it works

From brief to blackout.

A short sequence, in days not weeks. You always know what is decided and what is still open.

  1. 01 — Brief

    The room, the music, the moment

    Venue, the music and what you want the room to do. Feasibility, safety and live-or-timecoded get answered here.

  2. 02 — Design

    Plot, looks and safety plan

    Rig plot, fixture list, color system, laser zones and variance paperwork. Sized to the room, agreed before load-in.

  3. 03 — Build

    Build the looks

    A show designer builds the looks for your music: palettes, chases, laser frames and content, ready to play live from the desk. If the show must repeat identically, the same looks become a timecoded cue stack.

  4. 04 — Show

    Run it live, or play it back

    A show designer at the desk with full system control, following the music and the room. Timecoded playback when every night has to match.

Joe Faratzis standing in a dark studio, lit by a single blue beam through haze Joe Faratzis — founder, show designer

05 — Built by a show designer

The mind behind the show.

Projected Reality is led by Joe Faratzis, a veteran media producer, visual designer and show-systems builder.

Joe designs and builds production environments from the ground up, integrating cameras, lighting, lasers, projection, livestream infrastructure, automation and real-time show control into one coordinated system. Every blackout, transition and impact is part of the same performance.

Also the founder of Radiant14, a cancer-awareness community of more than 70,000 followers.

Pangolin BEYONDChamSys MagicQResolume ArenaUnreal EngineDMX / Art-NetILDA programmingLivestream pipelines

06 — Who it's for

Small crew. Arena energy.

You don't need an arena budget to feel like an arena. An operator with designed looks, lighting direction, haze, lasers and projection makes a 200-cap room hit like a festival main stage, for one night, with no lengthy pre-production.

BandsDJsLive music venuesLivestream creatorsMusic videosLaunch eventsBranded performancesCorporate events

What our collaborators say

We appreciate your attention to detail and your passion towards this innovative project. We find great inspiration to see our BEYOND software used so creatively, especially in such a dynamic, high-engagement environment like yours.

Jordan G. — Sales Manager, Pangolin / Kvant / Unity

We greatly admire your music-driven interactive visual performances and are particularly impressed by your seamless integration of DMX lighting, lasers, and projection mapping… Your innovative approach to transforming lights and lasers into real-time collaborative instruments perfectly aligns with the creative vision we are passionate about.

Anna — Betopper

You are a professional expert, and we appreciate your professional work and attitude. For me, working with you was very quick and efficient. I am willing to have further long-term cooperation with you.

George — SHEHDS

When I saw your video today, I was truly amazed! I love it so much; it perfectly showcases our lighting. Thank you for your hard work.

Shao F. — U'King

I am truly impressed with the work you are doing in the field.

Justin P. — Owner, Pangolin / Kvant / Unity

07 — Before we start

A few details.

Straight answers to the questions every producer asks first.

Can lasers run in every venue?

No. Feasibility depends on the space, the proposed effects, venue permissions and applicable operating requirements. We review those before confirming a show, and we operate under an FDA variance where required.

Can you synchronize lasers with lighting and music?

Yes. Live, we run lighting and lasers together to the music from a single desk. With a fixed soundtrack the whole show can also be timecoded across lighting, lasers and video, so every hit lands on the frame.

Do you run shows live or timecoded?

Live is the default. A show designer plays designed looks to the music in the room, with no lengthy pre-production, which is how most one-night shows, DJ sets and bands work with us. Timecoded playback is the upgrade for tours, livestreams and launches that must land identically every run. Some productions mix both.

What areas do you serve?

Orange County and greater Southern California from our Laguna Niguel base, with touring and livestream productions by arrangement.

What determines the quote?

Equipment, crew, venue requirements, event duration and production support, plus programming and content time when a show is timecoded. A live-operated night in a small room is the simplest quote. A quote follows the initial review.